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Manierre Dawson : ウィキペディア英語版
Manierre Dawson
Manierre Dawson (December 22, 1887, Chicago, Illinois- August 15, 1969, Sarasota, Florida) was a painter and sculptor born and raised in Chicago, Illinois, but lived most of his life in Michigan. A precocious and ceaseless experimenter, Dawson independently developed stylistic and material innovations that rivaled his most progressive contemporaries.
==Early career==
Manierre Dawson was the second of four sons born to George E. Dawson and Eva (Manierre) Dawson who were avid supporters of the arts as an avocation but preferred "professional" careers for their sons. After high school, Manierre enrolled in the civil engineering program at the Armour Institute of Technology. When he completed his four-year degree in 1909, his civil engineering curriculum had made a lasting impact on his creative vision. Mechanical drawing methods and descriptive geometry courses led him to paint in a geometric style by the end of 1908. His analytic geometry and differential calculus courses contributed directly to his first series of abstract paintings in the spring of 1910. (Ploog, Bairstow and Boyajian, Manierre Dawson (1887–1969): A Catalogue Raisonné, 2011) At that time, he was a first-year employee at the Chicago architectural firm of John Holabird and Martin Roche.
After a year with the firm he was granted a six-month leave-of-absence for an educational tour of Europe. He departed in mid-June 1910 for his only trip abroad. His itinerary is well documented in his journal. Disembarking in Liverpool, he made his way across England to France, south through Germany, across Switzerland to Italy, back north for a second stay in Paris, and around northern Germany before embarking from Bremerhaven in late-November. In Siena, he met and exchanged ideas on painting with John Singer Sargent. During his return visit to Paris he attended a Saturday evening soiree at the apartment of Gertrude Stein and he saw paintings by Paul Cézanne in the gallery of Ambrose Vollard. Returning through Hoboken, he stopped in New York to call upon Arthur B. Davies who introduced him to Albert Pinkham Ryder (Ploog, "The First American Abstractionist: Manierre Dawson and his Sources," in Manierre Dawson: An American Pioneer of Abstract Art, Hollis Taggart Galleries, 1999).

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